Phase 1 :
Character / caricature sketch for a personal project that will include some moving images, background, graffiti + music. 2D is neat to see in a slow moving scene. A fine art portrait is not the required finish, so please note, that this is in good humour.
A4 standard cartridge paper using a Derwent 4b + Faber-Castell ink pen. Copied up to A3 then cut. Saturation in shaded areas, minimum detail.
As with the RZA pic, it is kept as black and white until all character pieces are finished.
To be continued.
Type.Face / Illustration / Colour print
Portrait & mixed Type is the outline for this project, in a layout that worked well as a composition of colour / content.
A project that is a personal challenge and one that will be ongoing as a small series.
Without giving away to much detail of the specific background to the series, it is to have a bolder message as the overall theme.
The above image was a case study that started in digital and progressed to be more analog in practice with the result being a very good healthy balance of the two combined.
‘Lacerate Media’ / Texture / Art
As a reflection of last months site journal post, the 3 images here are the test pieces.
They are mixed method pieces, with the final image being the preferred quality of finish.
As design is a test of ability, the main grind is in finding the easiest and most effective way to do something that is usually a complicated process. My concern for when the storefront is live is that there are only new works available and not something that has been generally ripped off or repeated by other artists previously. The third Razors edge is the first store instalment, using my own stock image and elements. Printing is currently external, although seeking to upscale asap and progress with prints for solo shows. Editorial is of great interest, so pushing to learn more in this area also.
The Invasionism pack is neat. And possibly collectable. So… let’s make them count.
The one thing about the Southwest, come hell or high water is the tourism. They come for the historical value and the art. And what more do visitors need more than signs? …more signs… I got a real kick watching some visitors in the city see the already existing signage… then promptly get out a smart phone and internet search the words on the stickers.
here are proud KDU members down this way, myself included. The Art Sector itself is always a good source of design gossip / story telling. The who’s who and who’s doing what or who. So awareness was on the agenda. The education system is what it is. When I studied here in the southwest (Devon & Cornwall), most courses were switched mid-way into something rather more defined by digital medium as opposed to personal creative development. Many students found that the level of teaching was slow and unstructured and poor. This in turn offered a poor attendance by many, who realised that the course detail was far from what they signed up for. I know a few that work in dept stores and no longer sketch, let alone feel that a future in art or design is something to consider. Anyhow, it is refreshing to see that nowadays the various mediums and media are embraced and the frayed edges have now been stitched and ironed out. A thriving community of art and design focused individuals have a grand voice and the best selections of art on display at all times of the year. Hence it now being the Art Sector.
My contribution to Gallery 1988’s Tribute to Bill Murray. Which is set to open November 4th in LA (7020 Melrose Ave to be specific). The piece is going to be screen printed with 3 colors on thick textured paper. The concept is about showing Bill’s characters throughout the last 30 or so years and how both he and his characters have evolved over the years.
In other news, I’ve recently left my full-time gig at Go Media (on good terms of course), to pursue freelancing. So if anyone needs my expertise for any reason, don’t hesitate to get in touch.
Piece was created for DACS United.
Pixel and texture are the main aspects of the image. Rather than use purely digital artwork, I have been quietly trying new methods of creating texture. My focus is on the decay of beauty, as in, the fall of the ego as we are stretched apart in all directions by our ever increasing surroundings of illusion. Seeing things for what they really are by means of moving out of focus with these surroundings and to seek internally, let that guiding light shine forth.
I am seeking to make a transition in art. Forming a breakdown of parts and leaving blank space or thought in its place intrigues me. The balance for me would be to show growth / decay within the ‘inbetween’ phase of an image where they would both merge before the finished article becomes neither one or the other. Question also what you are looking at and by what medium or media? Question everything.
By following other artists it gets easier in time to interpret messages that they put forth. This in turn holds a certain resonance, something that on some level one can relate to.
We continue to learn at the drawing of each breath. I remain thankful to my peers. KDU for Life!
SVSV continues to use art as a vehicle to expand and communicate its anti-mass agenda. This week, we debut three artistic collaborations designed to amplify the core craft philosophy that defines our brand. Our brand believes that the ideas we generate share equal weight with the objects we create. Art is the bridge that connects these two realities.
Victor Antonio x SVSV
Josh Vanover x SVSV
Michael Ostermann x SVSV
Congrats to our dear friends at IdN for another successful launch.
These pieces are my contributions to the current SlashTHREE exhibition entitled “Quote Unquote” :
“Striving to produce an exhibition that focused on art outside of our norm, the collective selected ‘Quote Unquote’ as the theme for its seventeenth exhibition. Each piece in “Quote Unquote” is based on a quote – famous, cultural, or even from the artist’s own life – and is created to represent that quote and its meaning to the artist. The result was an exhibition that saw many styles of literature interpreted in a new light by our artist core. The efforts of Edmar Cisneros, Rob Shields, Nicolas Baroille, and Anthony Giacomino shone through as highlights in this exhibition, while the work of one of the latest additions to the collective, Tarin Yuangtrakul, will go down as some of the strongest in the history of slashTHREE.”
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