Design by Pablo Moreno. 2011.
Analog + Digital Graffiti / Type / Texture
The texture that I was keen to execute as a digital visual, was a simulated rough surface that has been sprayed with aerosol. With this in mind, I always seek to put together designs that have multiple uses across the board.
Starting off with a complex looking but basic layout as a pen background, the type and layer fade is all the project needed.
First phase was a template with the letters cut out of card. Initially wanting to do a painted type print, the paint was an incorrect mix and it looked wack.
Second was a mock up on cartridge paper to check the composition. The cut letters were then scanned, including the texture, and the handwriting. The final draft was put together in layers, with colour content added for the aerosol look and minor special effects. It would have been cool to use canned paint for the entire piece, nevertheless an enjoyable project and one to push forward.
‘Lacerate Media’ / Texture / Art
As a reflection of last months site journal post, the 3 images here are the test pieces.
They are mixed method pieces, with the final image being the preferred quality of finish.
As design is a test of ability, the main grind is in finding the easiest and most effective way to do something that is usually a complicated process. My concern for when the storefront is live is that there are only new works available and not something that has been generally ripped off or repeated by other artists previously. The third Razors edge is the first store instalment, using my own stock image and elements. Printing is currently external, although seeking to upscale asap and progress with prints for solo shows. Editorial is of great interest, so pushing to learn more in this area also.
‘Don’t need NO Devil dust’ / Ian Brown / Mixed method / Experimental Portfolio
In my opinion one of the greatest Great British singer-songwriters of all time.
Ok, so many may disagree. Whatever. This guy has proved himself to be one of the most influential artists in recent years. From a true working class family, to the lead vocalist of The Stone Roses, he has a celebrated history of perfect lyrics and bold collaborations ( personal artistic favs : UNKLE / ADIDAS / BAPE ) which has seen him rise to the top of the ranks. This does not come easy. A solid solo career setting himself aside from the usual suspects in terms of visual art & video appeal, content instruments, tight, challenging lyrics and awesome depth of character has earned him the aforementioned status.
Having seen him perform, I would say he offers a wise expression as opposed to glitter ball stage gimmicks. This gives him an awesome presence. And of course he is renowned for saying that he needs ‘no devil dust’ for his confidence. Mr Brown, a true performer, I salute you.
I was commissioned by an agency to work on this Digital matte painting for TCM, the retro movie channel from the Turner network.
The client wanted 3 of the most seen landscapes on TCM movies merging, as in Western, Mysterious Island/Jungle, and Volcano forest. They were very flexible around how i should show this scene, so i decided on making a panoramic view of the scene working it out with both photography and 3d, merged with matte and manipulation work.
My name is Gustavo Brigante and as my Bio says, im a self-taught graphic designer and illustrator from Buenos Aires, Argentina.
From now on im gonna be publishing my favourites bits of work, explorations and processes in this space.
The KDU looks like an amazing project and i see a lot of great work so its a pleasure to share mine here,
i hope this will lead to new and exciting ways to keep exploring and learning further in my work, and also to meet new friends.
TV Party! – Camila Huerta by Gustavo Brigante
This work was a collaboration with chilean model Camila Huerta for her portfolio. Worked out this piece with total freedom of subject as long as the piece was centered on the main portrait so i had lots of fun working on this. At the time of making this i was also learning Cinema 4d (still am) so i experimented a little with it for this composition and all the rest was worked around with Photoshop.
Recently the pool, or bowl, at the skatepark in Saratoga Springs, NY was filled with dirt and rendered un-skateable. The city claimed they were forced to cut park employees and the pool was deemed too hazardous to be part of the new “skate at your own risk” policy. Since then, local skaters and the people of the town have been trying to get the city to remove the dirt from the pool, even offering to dig it out themselves. It’s one of the oldest pools on the East Coast, and as a skater from New York I know how rare and special it is to have access to one (there are only a handful more in the Northeast even now). With the exponential increase of popularity and interest in skateboarding over the past few years, removing the bowl is like removing a soccer or baseball field from a public park. Please visit Save the Skatepark for more information, or better yet, sign the petition to have the dirt removed. Here are some photos I took of the bowl at the park while at school in Saratoga:
Hello everyone! My name is Adolfo Correa and I’m a digital artist/designer from Santiago, Chile… and this is my first post as a new member of the almighty KDU, I’m so proud to be here amongst such a talented crew and share my stuff with all of you!
to start I made two pieces for the KDU hope you like it
For more please visit my website HERE
Pixel and texture are the main aspects of the image. Rather than use purely digital artwork, I have been quietly trying new methods of creating texture. My focus is on the decay of beauty, as in, the fall of the ego as we are stretched apart in all directions by our ever increasing surroundings of illusion. Seeing things for what they really are by means of moving out of focus with these surroundings and to seek internally, let that guiding light shine forth.
I am seeking to make a transition in art. Forming a breakdown of parts and leaving blank space or thought in its place intrigues me. The balance for me would be to show growth / decay within the ‘inbetween’ phase of an image where they would both merge before the finished article becomes neither one or the other. Question also what you are looking at and by what medium or media? Question everything.
By following other artists it gets easier in time to interpret messages that they put forth. This in turn holds a certain resonance, something that on some level one can relate to.
We continue to learn at the drawing of each breath. I remain thankful to my peers. KDU for Life!
Transition / Exploration of large bird species.
Well, this was going to be a type exploration when it started. Possibly a quote or a phrase that would echo the image. I really like the idea of taking portions away from an image and leaving this emptiness as blank space, offering thought in its place. With this in mind, it is an image reflective of a piecing together and of growth and full flight, also a double edge meaning of the dismantling and the disintegration and letting go of parts that may hold the bird back from it’s flight.
Photographic image + The background is a plain coloured rice. Using very few colours is something that is enjoyable to push into art, it keeps the exploration contained to a degree, yet opens the image up to a larger interpretation.
The smaller image within is just that. Contained within the eye of the Eagle, as we truly are.
Wow, I finally did an update on here… I have had way too many things on the go lately – which cramps my consistency. Anyway… here is some stuff I recently did for Indian Summer – the debut EP from the electronic duo Falcons.