Illustration for Sydney’s Child Magazine.
Concept for MTV Apparel – Space Playground
Personal Illustration/Type Piece using photography by Christian Hertel.
Concept for XML Conference Magazine.
Illustrations for GQ Magazine accompanying an article on Indian gold medalist shooter Abhinav Bindra.
I’ve created several new designs of my “Adhesion” series for the new 2010/2011 clothing collection for austrian fashion label Advanced Minority.
Available at http://store.advancedminority.com/
The Society27 idea is to be in constant metamorphosis and create one coherent group of like-minded people, through the things we create.
It is the Sneaker/Shoe.The idea behind it is to be a clean, high quality materials product, that would be developed in only 27 pairs.
Illustration: Dimo Trifonov
Identity: Pavel Pavlov
Product: Society27.com
Illustration: Dimo Trifonov
Identity: Pavel Pavlov
Product: Society27.com
Thanks For Viewing
I’ve been travelling around the west coast for almost 2 months this summer with my girlfriend. All of the places i’ve been to were simply amazing! We visited most of the national parks around washington, oregon, california, arizona and utah. I will upload the best photos from all the locations we’ve been to. I’m starting here with the Joshua Tree Nationalpark, wich was an incredible experience!
Camera: Canon 5d Mark2 Lenses: Canon 16-35mm 2.8 /Canon 24-105 4.0
3 Passions simple but overwhelmingly strong have governed my life:
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The Longing for Love
The Search for Knowledge
The Unbearable Pity for the Suffering of Mankind
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Inspired by Bertrand Russell
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More here.
After Cognac I traveled via train to Paris. The Roots were being film for www.nowness.com on the train by Oliver and Adam, two amazing photographers from London. I only had two days, which was more than enough, since Paris was experiencing one of the hottest heat waves in its history. I will admit, Paris lives up to the hype. It is a beautiful city with amazing light, architecture and the obvious rich history.
Photographed by:
David Gensler
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Recently stopped by the Nooka Design Studios to visit my friend and KDU member, Matt Waldman.
The studio is inspiring and I had a chance to see Matt’s most recent art sculptures for an upcoming show in LA.
Keep your eyes open for some future KDU x Nooka “something something” special.
Photographed by:
David Gensler
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A cool 100% CGI spot created in-house by Little Red Robot.
Features a remake of “The Chauffeur” by Duran Duran by Volume.
Our latest campaign is a donation-based, animated film series called “A Girl Story,” told through the eyes of Tarla, a young girl who simply wants to go to school and receive an education. Tarla’s story progresses as viewers provide donations, unlocking a new chapter each time a certain amount of donations are met. The funds are sent directly to the Nanhi Kali program, which provides education to underprivileged girls in India. Be sure to experience the clever Youtube API programming trick that’s been creating quite a lot of buzz for yourself.
One major project recently launched with Hennessy. The limited VS Flask Sleeve. These images are from the Hennessy Shop at their global headquarters in Cognac, France.
Photographed by:
David Gensler
David Genlser bought me my first film camera for my birthday. Truly blessed to be presented with such a gift.
Thanks DG…Justin Lopez will be Shooting on film as well as digital.
Brand:
Minolta
Minolta Co., Ltd. was a Japanese worldwide manufacturer of cameras, camera accessories, photocopiers, fax machines, and laser printers. Minolta was founded in Osaka, Japan, in 1928 as Nichi-Doku Shashinki Shōten (日独写真機商店?, meaning Japanese-German camera shop). It is perhaps best-known for making the first integrated autofocus 35mm SLR camera system. It was not until 1933 that the brand name appeared on a camera, a copy of the Plaubel Makina simply called “Minolta.”
In 2003, Konica Corporation merged with Minolta to form Konica Minolta.
On January 19, 2006, Konica Minolta announced that it was leaving the camera and photo business[1] and that it would sell a portion of its SLR camera business to Sony as part of its move to pull completely out of the business of selling cameras and photographic film.[2]
Model:
Hi-Matic 7s
The Hi-Matic 7 followed in 1963. It had a faster f/1.8 lens and used a CdS cell instead of a selenium meter. Additionally, it gave photographers the option of setting the exposure manually, an option not available in the original Hi-Matic. The Hi-Matic 7S and Hi-Matic 9, both released in 1966, were slightly improved versions of the popular 7. The 9 was the same as the 7S with the addition of a slightly faster f/1.7 lens. The Hi-Matic 11 of 1969 was a version of the 9 with no manual controls.
To read more about this product visit there site www.konicaminolta.com
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Joshua Liner Gallery is pleased to present Dave Kinsey: New Works, an exhibition of mixed-media paintings by the Los Angeles-based artist. This full-gallery show marks Kinsey’s debut solo exhibition at Joshua Liner and his first solo in nearly two years.
Working in acrylic, spray paint, paper, wood, and ink on canvas, Dave Kinsey’s works of raw emotion draw their energy, style, and often substance from abstract expressionism mixed with urban hieroglyphics. His dynamic figures are situated within multi-layered, multi-textured atmospheres of pure abstraction. These beings displaying a mixture of defiance, triumph, and tragedy—transmit their forceful spirit through Kinsey’s range of mediums, signature style, and a high-contrast color palette.
Among this suite of medium- to large-sized paintings, the Continuum series (I, II & III) makes a powerful impact with its repeated skull and flower imagery. Viewers peer through a transparent layer of ghostlike skulls (human, animal) to a second layer of delicately rendered flowers (roses, peonies) then even deeper to an explosive, silhouetted background of chaos that hints of classic graffiti tags. Serving as contemporary vanitas, these layers of wildly contrasting content and graphic styles resolve into complex, feeling-toned compositions.
Kinsey’s portrait paintings, like King of Pop, Radio in a Box, Black Rain, and Man from Topanga, enlist these gripping contrasts in color, mark-making, and layering into finely tuned portrayals of emotional extremes. Where figures’ physical features are shut down or lack obvious expression, color and abstract forms serve to reveal and cathect underlying psychological states.
The artist suggests an even deeper resonance in his depiction of extreme contrasts, writing, “In this new body of work I explore emotional and environmental boundaries as I perceive them, in the context of the growing discord between humanity and nature. In the cyclical reality of our physical existence, beauty and death are ultimately dancing partners.”
